Trying to expand the possibilities of video essays through reduction:

Just one image to work on.
No cuts.
No explanatory words.
Just gestures.

It felt right when working on this first image from HIROSHIMA MON AMOUR.
An image that I keep touching upon without ever being able to grasp it.

[The video developed as part of a project with my students at HSLU D&K in which we develop a more personal approach to film history. Check out the project: here]